Showing posts with label Family. Show all posts
Showing posts with label Family. Show all posts

Thursday, September 1, 2016

Kubo and the Two Strings


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Initial releaseAugust 18, 2016 (Hungary)
Box office27.6 million USD
Young Kubo's (Art Parkinson) peaceful existence comes crashing down when he accidentally summons a vengeful spirit from the past. Now on the run, Kubo joins forces with Monkey (Charlize Theron) and Beetle (Matthew McConaughey) to unlock a secret legacy. Armed with a magical instrument, Kubo must battle the Moon King (Ralph Fiennes) and other gods and monsters to save his family and solve the mystery of his fallen father, the greatest samurai warrior the world has ever known.
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Monday, June 27, 2016

The BFG


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Initial releaseJune 30, 2016 (Hungary)

 The BFG tells the imaginative story of a young girl and the Giant who introduces her to the wonders and perils of Giant Country. The BFG (Mark Rylance), while a giant himself, is a Big Friendly Giant and nothing like the other inhabitants of Giant Country. Standing 24-feet tall with enormous ears and a keen sense of smell, he is endearingly dim-witted and keeps to himself for the most part. Giants like Bloodbottler (Bill Hader) and Fleshlumpeater (Jemaine Clement) on the other hand, are twice as big and at least twice as scary and have been known to eat humans, while the BFG prefers Snozzcumber and Frobscottle. Upon her arrival in Giant Country, Sophie, a precocious 10-year-old girl from London, is initially frightened of the mysterious giant who has brought her to his cave, but soon comes to realize that the BFG is actually quite gentle and charming, and, having never met a giant before, has many questions. The BFG brings Sophie to Dream Country where he collects dreams and sends them to children, teaching her all about the magic and mystery of dreams. Having both been on their own in the world up until now, their affection for one another quickly grows, but Sophie’s presence in Giant Country has attracted the unwanted attention of the other giants, who have become increasingly more bothersome. Sophie and the BFG soon depart for London to see the Queen (Penelope Wilton) and warn her of the precarious giant situation, but they must first convince the Queen and her maid, Mary (Rebecca Hall), that giants do indeed exist. Together, they come up with a plan to get rid of the giants once and for all. 


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Wednesday, June 1, 2016

Inside Out


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Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents move to San Francisco. Riley's emotions -- led by Joy (Amy Poehler) -- try to guide her through this difficult, life-changing event. However, the stress of the move brings Sadness (Phyllis Smith) to the forefront. When Joy and Sadness are inadvertently swept into the far reaches of Riley's mind, the only emotions left in Headquarters are Anger, Fear and Disgust.

Initial releaseJune 17, 2015 (France)
Critic reviews
Inside Out, which takes place mostly in the head of an 11-year-old girl named Riley, is a thrilling return to form for Pixar Animation Studios. Full review
A. O. Scott·New York Times
A stunningly original concept that will not only delight and entertain the company's massive worldwide audience, but also promises to forever change the way people think about the way people think.Full review
Peter Debruge·Variety
One of the most affecting works Pixar has produced yet, and absolutely one of their best titles.Full review
Eric Eisenberg·Cinemablend
Instead, Pixar's 15th feature is another landmark, an unmissable film triumph that raises the bar on what animation can do and proves that live action doesn't have dibs on cinematic art. Full review
Peter Travers·Rolling Stone
Inside Out is an important reflection on the power of emotion and proof that Pixar is still king of imaginative CG animated storytelling. Full review
Ben Kendrick·Screen Rant
Set largely inside the mind of an 11-year-old girl named Riley, this teeming, tear-duct-draining, exhaustingly inventive, surreal animated comedy is going to be a new pop-culture touchstone.Full review
David Edelstein·Vulture
I can't claim that Inside Out is the best yet - not with the bar already so high. But I do think it's Pixar's most ambitious movie, and that's saying something. Full review
Paul Asay·Plugged In
Inside Out is nearly hallucinogenic, entirely beautiful and easily the animation studio’s best release since 2010’s Toy Story 3. Full review
Mary Pols·Time
t’s not just a brilliant idea, but maybe the most conceptually daring movie the Bay Area animation house has ever produced. And that’s really saying something, what with WALL-E on the books. Full review
A.A. Dowd·A.V. Club
As fabulous as the vocal performances are in “Inside Out,” it’s the clever writing and lush visuals that catapult it into greatness. Full review
Ann Hornaday·Washington Post

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Friday, May 13, 2016

Zootopia


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From the largest elephant to the smallest shrew, the city of Zootopia is a mammal metropolis where various animals live and thrive. When Judy Hopps (Ginnifer Goodwin) becomes the first rabbit to join the police force, she quickly learns how tough it is to enforce the law. Determined to prove herself, Judy jumps at the opportunity to solve a mysterious case. Unfortunately, that means working with Nick Wilde (Jason Bateman), a wily fox who makes her job even harder.

Initial releaseFebruary 10, 2016 (Belgium)
Box office931.4 million USD
Budget150 million USD

The last thing you'd expect from a new Disney animated marshmallow is balls. But, hot damn, Zootopia comes ready to party hard. Full review
Peter Travers·Rolling Stone
It is, in short, a city that only the Mouse House could imagine, and one that lends itself surprisingly well to a classic L.A.-style detective story. Full review
Peter Debruge·Variety
Disney’s happy-animals comedy, featuring Idris Elba, is good to look at and adroit in its politics.Full review
Wendy Ide·The Guardian
As the first rabbit police officer in Zootopia, Judy Hopps is stuck writing parking tickets, but the ambitious bunny pokes her nose into a missing-mammal epidemic. Full review
Neil Genzlinger·New York Times
The genius of “Zootopia” is that it works on two levels: it’s both a timely and clever examination of the prejudices endemic to society and an entertaining, funny adventure about furry creatures. Full review
Jen Chaney·Washington Post
The film that unfolds from these beginnings is in many ways a conventional one, but it unfolds with so much wit, panache, and visual ingenuity that it outstrips many a more high-concept movie. Full review
Christopher Orr·The Atlantic
Zootopia is surprisingly and often delightfully specific about its far-from-buried subtext, about the way different groups share certain spaces in this world. Full review
Jesse Hassenger·A.V. Club
The weird surprise of Disney’s Zootopia is that it gives the canon a jolt of life. Full review
Stephanie Zacharek·Time
This cop-con comedy is fun for children and has enough plot for the adults. Full review
Katherine Pushkar·New York Daily News
Zootopia is filled with lovable characters and a heartfelt message for kids, along with a layered subtext for adults, that is both timely and moving. Full review
Ben Kendrick·Screen Rant

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