Friday, June 10, 2016

The Grand Budapest Hotel


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In the 1930s, the Grand Budapest Hotel is a popular European ski resort, presided over by concierge Gustave H. (Ralph Fiennes). Zero, a junior lobby boy, becomes Gustave's friend and protege. Gustave prides himself on providing first-class service to the hotel's guests, including satisfying the sexual needs of the many elderly women who stay there. When one of Gustave's lovers dies mysteriously, Gustave finds himself the recipient of a priceless painting and the chief suspect in her murder.
Initial releaseFebruary 8, 2014 (Prague)
Another meticulously stylish and deadpan Wes Anderson movie that walks the fine line between masterpiece and folly. Full review
Damon Wise·Empire
Having the Wes Anderson meter cranked up to 10 in Grand Budapest Hotel makes the movie a wondrous celebration of everything that the filmmaker stands for and holds dear to his heart. Full review
Sandy Schaefer·Screen Rant

Tuesday, June 7, 2016

Edge of Tomorrow


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When Earth falls under attack from invincible aliens, no military unit in the world is able to beat them. Maj. William Cage (Tom Cruise), an officer who has never seen combat, is assigned to a suicide mission. Killed within moments, Cage finds himself thrown into a time loop, in which he relives the same brutal fight -- and his death -- over and over again. However, Cage's fighting skills improve with each encore, bringing him and a comrade (Emily Blunt) ever closer to defeating the aliens.


Initial releaseMay 28, 2014 (Indonesia)
Box office370.5 million USD
As it stands, the uniqueness of the time reset premise and sci-fi action distinguish the film from so many others in the genre, and it is at least worth a matinée viewing on the big screen. Full review
Kofi Outlaw·Screen Rant
A playful and frantic science-fiction twister which mimics the best (Aliens, The Matrix, Groundhog Day) while offering something fresh and — most importantly — thrilling. Full review
Dan Jolin·Empire
It's a treat to watch the typically heroic Cruise lose his shit, sweating and panicking at the thought of getting up close and personal with an alien race called Mimics. Full review
Peter Travers·Rolling Stone
Like Cruise himself at this stage of his career, the film’s concept ought to be played-out and obvious, but Edge of Tomorrow is much smarter and sharper than you’d expect. Full review
Tim Grierson·The Verge


Monday, June 6, 2016

Interstellar


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In Earth's future, a global crop blight and second Dust Bowl are slowly rendering the planet uninhabitable. Professor Brand (Michael Caine), a brilliant NASA physicist, is working on plans to save mankind by transporting Earth's population to a new home via a wormhole. But first, Brand must send former NASA pilot Cooper (Matthew McConaughey) and a team of researchers through the wormhole and across the galaxy to find out which of three planets could be mankind's new home.
Initial releaseOctober 29, 2014 (London)
Brainy, barmy and beautiful to behold, this is Stephen Hawking’s Star Trek: a mind-bending opera of space and time with a soul wrapped up in all the science. Full review
James Dyer·Empire
In 2001, Kubrick saw a future that was out of our hands. For Nolan, our reliance on one another is all we've got. Full review
Peter Travers·Rolling Stone
Double-domed and defiantly serious, Interstellar is a must-take ride with a few narrative bumps. Full review
Richard Corliss·Time
Interstellar is an imaginative movie, but a heavy-handed mix of personal sacrifice and theoretical physics doesn't leave much room for subtle storytelling. Full review
Ben Kendrick·Screen Rant

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Friday, June 3, 2016

The Diary of a Teenage Girl


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A teen artist living in 1970s San Francisco enters into an affair with her mother's boyfriend.

Initial releaseJanuary 24, 2015
What makes Minnie — on the page and now on the screen — greater than any one girl is how she tells her own story in her own soaringly alive voice. Full review
Manohla Dargis·New York Times
Powley, a British twentysomething whose big, curious eyes and quavering, thoughtful voice allow for a seamless transition back to her teenage years, gives a remarkable performance. Full review
Jesse Hassenger·A.V. Club
This adaptation of Phoebe Gloeckner's heavily autobiographical novel is ideally cast and skillfully handled. Full review
Dennis Harvey·Variety

A Bridge of Spies


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During the Cold War, the Soviet Union captures U.S. pilot Francis Gary Powers after shooting down his U-2 spy plane. Sentenced to 10 years in prison, Powers' only hope is New York lawyer James Donovan (Tom Hanks), recruited by a CIA operative to negotiate his release. Donovan boards a plane to Berlin, hoping to win the young man's freedom through a prisoner exchange. If all goes well, the Russians would get Rudolf Abel (Mark Rylance), the convicted spy who Donovan defended in court.

Initial releaseOctober 21, 2015 (Indonesia)
Review
The tense negotiations over the recovery of U2 pilot Gary Powers in 1960s Berlin are the real-life backdrop to this wonderfully uncynical thriller scripted by the Coen brothers. Full review
Peter Bradshaw·The Guardian
So godlike is Spielberg’s status that we often take his talents for granted. The strange, riveting mix of Bridge Of Spies is another sterling reminder that we shouldn’t. Full review
Ian Nathan·Empire
It's no small feat turning a shyster and an enemy spy into national heroes, but that's the unique achievement of Steven Spielberg's "Bridge of Spies.". Full review
Peter Debruge·Variety

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Wednesday, June 1, 2016

Inside Out


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Riley (Kaitlyn Dias) is a happy, hockey-loving 11-year-old Midwestern girl, but her world turns upside-down when she and her parents move to San Francisco. Riley's emotions -- led by Joy (Amy Poehler) -- try to guide her through this difficult, life-changing event. However, the stress of the move brings Sadness (Phyllis Smith) to the forefront. When Joy and Sadness are inadvertently swept into the far reaches of Riley's mind, the only emotions left in Headquarters are Anger, Fear and Disgust.

Initial releaseJune 17, 2015 (France)
Critic reviews
Inside Out, which takes place mostly in the head of an 11-year-old girl named Riley, is a thrilling return to form for Pixar Animation Studios. Full review
A. O. Scott·New York Times
A stunningly original concept that will not only delight and entertain the company's massive worldwide audience, but also promises to forever change the way people think about the way people think.Full review
Peter Debruge·Variety
One of the most affecting works Pixar has produced yet, and absolutely one of their best titles.Full review
Eric Eisenberg·Cinemablend
Instead, Pixar's 15th feature is another landmark, an unmissable film triumph that raises the bar on what animation can do and proves that live action doesn't have dibs on cinematic art. Full review
Peter Travers·Rolling Stone
Inside Out is an important reflection on the power of emotion and proof that Pixar is still king of imaginative CG animated storytelling. Full review
Ben Kendrick·Screen Rant
Set largely inside the mind of an 11-year-old girl named Riley, this teeming, tear-duct-draining, exhaustingly inventive, surreal animated comedy is going to be a new pop-culture touchstone.Full review
David Edelstein·Vulture
I can't claim that Inside Out is the best yet - not with the bar already so high. But I do think it's Pixar's most ambitious movie, and that's saying something. Full review
Paul Asay·Plugged In
Inside Out is nearly hallucinogenic, entirely beautiful and easily the animation studio’s best release since 2010’s Toy Story 3. Full review
Mary Pols·Time
t’s not just a brilliant idea, but maybe the most conceptually daring movie the Bay Area animation house has ever produced. And that’s really saying something, what with WALL-E on the books. Full review
A.A. Dowd·A.V. Club
As fabulous as the vocal performances are in “Inside Out,” it’s the clever writing and lush visuals that catapult it into greatness. Full review
Ann Hornaday·Washington Post

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