Hail, Caesar!

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In the early 1950s, Eddie Mannix is busy at work trying to solve all the problems of the actors and filmmakers at Capitol Pictures. His latest assignments involve a disgruntled director, a singing cowboy, a beautiful swimmer and a handsome dancer. As if all this wasn't enough, Mannix faces his biggest challenge when Baird Whitlock gets kidnapped while in costume for the swords-and-sandals epic "Hail, Caesar!" If the studio doesn't pay $100,000, it's the end of the line for the movie star.

Initial release: February 1, 2016 (USA)

Directors: Ethan Coen, Joel Coen

Narrated by: Michael Gambon

Box office: 62.4 million USD

Screenplay: Ethan Coen, Joel Coen

Critic reviews

The Coen brothers conjure up nostalgic joy from this hilarious knockabout homage to the golden age of film. Full review

Mark Kermode·The Guardian

An inside-showbiz lark that regards the 1950s studio system with the utmost skepticism even as it becomes an expression of movie love at its purest. Full review

Justin Chang·Variety

The Coens love these debauched children and the genre films they turn out with such batshit glee.Full review

Peter Travers·Rolling Stone

It’s a typically sly, off-center comedy, once again set against the machinery of the motion-picture business. Full review

Manohla Dargis·New York Times

As lush, absurd and damnably seductive as the world it portrays, “Hail, Caesar!” doesn’t seek to praise old Hollywood, exactly. But it doesn’t want to bury it, either. Full review

Ann Hornaday·Washington Post

Hail, Caesar! is a funny and madcap, if unfocused, farcical salute to Golden Age Hollywood from the Coen Brothers. Full review

Sandy Schaefer·Screen Rant

This is indeed a Coens movie, merely one set in a cheerier key than any of its predecessors. Full review

Christopher Orr·The Atlantic

To all those who would characterize the Coens as smug misanthropes: Enjoy this bounty of ammunition. Full review

Ignatiy Vishnevetsky·A.V. Club

Hail, Caesar! doesn’t completely hang together. But Johansson in a mermaid’s tail? Really, why else make movies—or go to them? Full review

Stephanie Zacharek·Time

With so many good — no, fabulous — elements, why does so much of Hail, Caesar! feel so overdeliberate? Full review

David Edelstein·Vulture

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